Azcona, Stevan César. Movements in Chicano Music: Performing Culture, Performing Politics, 1965–1979. 2008. University of Texas, Ph.D. dissertation.

Bean, Carl, and David Ritz. I Was Born This Way: A Gay Preacher's Journey Through Gospel Music, Disco Stardom, and a Ministry in Christ. Simon and Schuster, 2010.

Brathwaite, Les Fabian. "I'm happy, I'm carefree, and I'm gay! / I was born this way." Out Magazine. 23 June 2016.

Browner, Tara. Heartbeat of the People: Music and Dance of the Northern Pow-Wow. U of Illinois P, 2002.

Broyles-Gonzalez, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. U of Texas P, 1994.

Cartwright, Garth. "The Wild Rover: Is Global Superstar Manu Chao about to Crack Britain?" The Guardian, 1 Oct. 2007.

Chaney, Cassandra. "Prince Rogers Nelson: from 'Dirty Mind' to Devout Jehovah's Witness." Journal of African American Studies, vol. 21, no. 3, 2017, pp. 42542.

Cobo, Leila. "Los Tigre Del Norte: Music with A Social Conscience." Hispanic Magazine, July/Aug. 2004, pp. 8486.

Covach, John, and Andrew Flory. What's that Sound? An Introduction to Rock and Its History, 5th edition. Norton, 2018.

Crawford, Richard. America's Musical Life. Norton, 2001.

Crawford, Richard, and Larry Hamberlin. An Introduction to America's Music, 2nd edition. Norton, 2013.

D'Ambrosio, Antonino. "Manu Chao, Diamond, globalista." The Progressive, March 2008, p. 36.

Beverley. Native American Music in Eastern North America. Oxford UP, 2008.

Deveux, Scott, and Gary Giddins. Jazz. Norton, 2009.

—. Groove Music: The Art and Culture of the Hip-Hop DJ. Oxford UP, 2012.

Dyson, Michael Eric. "Michael Jackson's Postmodern Spirituality." Reflecting Black: African American Cultural Criticism, U of Minnesota P, 1993, pp. 3563.

Ellis, Clyde, Luke Eric Lassiter, and Gary H. Dunham, editors. Powwow. U of Nebraska P, 2005.

George, Nelson. Where Did Our Love Go? The Rise and Fall of the Motown Sound. U of Illinois P, 2007.

Gibson, Casarae L., "'Fight the Power': Hip Hop and Civil Unrest in Spike Lee's Do the Right Thing." Black Camera, vol. 8, no. 2, 2017, pp. 183207.

Gordy, Berry. To Be Loved: The Music, the Magic, the Memories of Motown: An Autobiography. Warner, 1994.

Hamm, Charles. Yesterdays: Popular Song in America. Norton, 1979.

Helmreich, Stefan, and Peter McMurray. "Tape, Prince, and the Studio: An Interview with Susan Rogers." Twentieth-Century Music, vol. 14, no. 1, 2017, pp. 13547.

Hoefnagels, Anna, and Beverly Diamond, editors. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's University Press, 2012.

Iwamoto, Derek. "Tupac Shakur: Understanding the Identity Formation of Hyper-Masculinity of a Popular Hip-Hop Artist." The Black Scholar, vol. 33, no. 2, 2003, pp. 4449.

Jackson, Mark Allan, editor. The Honky Tonk on the Left: Progressive Thought in Country Music. U of Massachusetts P, 2018.

Kajikawa, Loren. Sounding Race in Rap Songs. U of C Press, 2015.

Katz, Mark. Capturing Sound: How Technology Has Changed Music. U of California P, 2004.

Kernodle, Tammy L. "'I Wish I Knew How It Would Feel To Be Free': Nina Simone and the Redefining of the Freedom Song of the 1960s." Journal of the Society for American Music, vol. 2, no. 3, 2008, pp. 295–317.

Kooijman, Jaap. "The True Voice of Whitney Houston: Commodification, Authenticity, and African American Superstardom." Celebrity Studies, vol. 5, no. 3, 2014, pp. 30520.

Kun, Josh. "Subcomandante Manu: An Interview with Manu Chao," Color Lines, vol. 2, no. 4, 19992000), pp. 4243.

León, Luis D. The Political Spirituality of César Chávez. U of California P, 2015.

Malone, Bill C., and Jocelyn Neal. Country Music, U.S.A. 3rd edition. U of Texas P, 2010.

Moore, Robin, and Walter Aaron Clark, editors. Musics of Latin America. Norton, 2012.

National Urban League. Stop the Violence: Overcoming Self-Destruction. Edited by Nelson George, Pantheon, 1990.

Neal, Jocelyn R. Country Music: A Cultural and Stylistic History, 2nd edition. Oxford UP, 2019.

Neal, Mark Anthony. "Trouble Man: The Art and Politics of Marvin Gaye." Western Journal of Black Studies, vol. 22, no. 4, 1998, pp. 25259.

Nicholls, David, editor. The Cambridge History of American Music. Cambridge UP, 1998.

Randel, Don Michael. "Crossing Over with Rubén Blades." Journal of the American Musicological Society, vol. 44, no. 2, 1991, pp. 30123.

Roberts, Robin. "'Ladies First': Queen Latifah's Afrocentric Feminist Music Video." African American Review, vol. 28, no. 2, 1994, pp. 24557.

Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Wesleyan UP, 1994.

Sauceda, Jonathan. "Smuggling, Betrayal, and the Handle of a Gun: Death, Laughter, and the Narcocorrido." Popular Music and Society, vol. 37, no. 4, 2014, pp. 42543.

Starr, Larry, and Christopher Waterman. American Popular Music: From Minstrelsy to MP3, 5th edition. Oxford UP, 2018.

Sullivan, James. Which Side Are You On? 20th Century American History in 100 Protest Songs. Oxford UP, 2019.

Wald, Elijah. Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. Rayo, 2001.

Walser, Robert. "Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy." Ethnomusicology, vol 39, no. 2, 1995, pp. 193217.

Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. U of California P, 1998.

Werner, Craig. A Change Is Gonna Come: Music, Race, and the Soul of America. U of Michigan P, 2006.

Wilson, Olly W. Liner Notes for Of Visions and Truth. Recorded Music of the African Diaspora. New Black Music Repertory Ensemble, conducted by Kirk Smith & Leslie B. Dunner. Albany Records, 2010.

Young Bear, Severt, and R. D. Theisz. Standing in the Light: A Lakota Way of Seeing. U of Nebraska P, 1994.

 

 

Creative Commons License
Voices Across Time is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Permissions beyond the scope of this license may be available at voices.pitt.edu/Permissions.html.